Name : Mick LaSalle / Alias : San Francisco Chronicle
It has a screenplay of freshness and audacity that's brought to life by a director who understands its every psychological undercurrent. We might hope this kind of thing would happen all the time, but it's rare.

Name : Scott Foundas / Alias : Variety
'Prisoners' director Denis Villeneuve returns with a blisteringly suspenseful, ever surprising cartel thriller.

Name : Adam Graham / Alias : Detroit News
By the end, it packs a death stare so potent it will make you want to turn a blind eye to the shadowy brutality of its real-world horrors.

Name : James Berardinelli / Alias : ReelViews
An unforgettable motion picture that should be on the must-see list for anyone who appreciates films that deal in grays rather than blacks and whites.

Name : Tony Hicks / Alias : San Jose Mercury News
Director Denis Villeneuve delivers screenwriter Taylor Sheridan's story layer by layer, never overwhelming the audience while still challenging it to pay attention.

Name : Mike D'Angelo / Alias : AV Club
One can easily ignore the film's ambitious subtext and enjoy it strictly on the basis of its terrific performances and nonstop intensity.

Name : Chris Nashawaty / Alias : Entertainment Weekly
With a taut and timely screenplay by Taylor Sheridan, Sicario is a brilliant action thriller with the smarts of a message movie.

Name : Barry Hertz / Alias : Globe and Mail
We can thank Villeneuve and rookie screenwriter Taylor Sheridan's tight script, but also Blunt, Brolin and Del Toro, each of whom has never been better.

Name : Christopher Orr / Alias : The Atlantic
Sicario is a remarkable, thrilling, intermittently brilliant film-and yet nonetheless a mild disappointment.

Name : Todd McCarthy / Alias : Hollywood Reporter
The violence of the inter-American drug trade has served as the backdrop for any number of films for more than three decades, but few have been as powerful and superbly made as Sicario.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
[Villeneuve] hasn't forgotten that he's making a thriller, and he's made one that's both nerve-shatteringly suspenseful and, thanks to noted cinematographer Roger Deakins, gorgeous to watch.

Name : Ty Burr / Alias : Boston Globe
Within this dark epic of American failure lives an effective but decidedly minor vigilante flick.

Name : Wesley Morris / Alias : Grantland
Villeneuve and screenwriter Taylor Sheridan aren't selling more than a tautological action movie with the dread and body count of a horror film.

Name : Sandy Cohen / Alias : Associated Press
Villeneuve has crafted a compelling, unflinching look at the deadly and complicated war on drugs, one that will challenge the attitudes of even the most straight-edged and law-abiding viewers.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Combining relentless action with the story of a woman confronting a corrupted system, it hits with the staggering energy of a visceral kick in the guts - causing a sensory recoil in every scene.

Name : Dana Stevens / Alias : Slate
Sicario opens on a power chord of fear, nausea, and dread that resonates throughout the whole movie.

Name : Rene Rodriguez / Alias : Miami Herald
This is not the first movie about the war being waged across the U.S.-Mexico border over the drug trade, but it's the first film in which the aura of constant menace and threat lingers and follows you home.

Name : A.O. Scott / Alias : New York Times
After a while these sounds and images start to feel like expressions of technique, and they become at once numbing and sensational, and instead of a movie about violence we're watching another violent movie, after all.

Name : Andrew O'Hehir / Alias : Salon.com
Villeneuve handles action scenes with impressive flair, but also understands that the key to effective action is to build up to it slowly and inexorably.

Name : David Edelstein / Alias : New York Magazine/Vulture
Denis Villeneuve's film turns out to be a stupendously unnerving descent into moral chaos, our presumed action hero Alice in Cartel-land.

Name : Joe Neumaier / Alias : New York Daily News
This dramatic thriller finds a spot somewhere between your brain and your stomach, and drills in.

Name : Kyle Smith / Alias : New York Post
Villeneuve, cinematographer Roger Deakins and composer Johann Johannsson combine to make the action scenes gorgeous, scary and exciting, while the script by Taylor Sheridan is mordant and smart, with not a wasted word.

Name : Richard Roeper / Alias : Chicago Sun-Times
This is one of the best movies of the year.

Name : Guy Lodge / Alias : Time Out
Denis Villeneuve takes on the Mexican drug trade in this stern, robust, abandon-hope-all-ye-who-enter thriller.

Name : Lou Lumenick / Alias : New York Post
A well-deserved showcase for Emily Blunt.

Name : Moira MacDonald / Alias : Seattle Times
There are no rules, and no reason, in this world of death and revenge, and we see it through Kate's eyes: fascinated, repelled, ultimately haunted.

Name : Peter Howell / Alias : Toronto Star
Sicario paints the bleakest of portraits of a realistic situation, drawn from headlines about Mexican cartels that stack bodies with savage efficiency.

Name : J. R. Jones / Alias : Chicago Reader
This is suspenseful stuff, but hanging over the action is the pungent smell of social failure, as the drug war turns both sides into monsters.

Name : Stephanie Merry / Alias : Washington Post
Villeneuve's movies occupy a spectrum between thought-provoking and mind-bending, and it's clear that he wants to guide Taylor Sheridan's script into similar territory.

Name : Amy Nicholson / Alias : L.A. Weekly
Villeneuve's proven he's got a strong punch. The trouble is, he barely aims.

Name : Alonso Duralde / Alias : TheWrap
Mixes arthouse and grindhouse into a most satisfying cocktail.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Far from being just another crime story, "Sicario" is cinema at its most ambitious.

Name : Anthony Lane / Alias : New Yorker
If "Sicario" does not collapse under its own grimness, that is because of the pulse: the care with which Villeneuve keeps the story beating, like a drum, as he steadies himself for the next set piece.

Name : Steven Rea / Alias : Philadelphia Inquirer
Succeeds in evoking the anarchic violence of the drug wars raging on both sides of the U.S.-Mexican border.

Name : Mark Olsen / Alias : Los Angeles Times
Directed by Denis Villeneuve from a script by Taylor Sheridan, the film manages to somehow be sleek and sprawling, focused and cagey at the same time, often in the same scene.

Name : Peter Travers / Alias : Rolling Stone
A gripping and tension-packed spin through America's covert War on Drugs. Prepare to be haunted for a good long time.

Name : Liz Braun / Alias : Toronto Sun
Director Denis Villeneuve, aided and abetted by cinematographer Roger Deakins, fills Sicario with dread and a violence that happens to be stunning to look at.

Name : Stephen Whitty / Alias : Newark Star-Ledger
If the film is a little too macho and far too Anglo to tell the full, ugly story of all the villains and victims, it is, like all of Villeneuve's films, a bravura piece of filmmaking.

Name : Michael Phillips / Alias : Chicago Tribune
The first hour of this latest film from French-Canadian director Denis Villeneuve is sleek, terrific pulp.

Name : Steven Rea / Alias : Philadelphia Inquirer
After sundry Batmans and last summer's Spider-Man, the comic-book formula of childhood loss, filial revenge, and freakish physical prowess doesn't seem all that fresh anymore.

Name : Mike Clark / Alias : USA Today
There'll be plenty of ragging to go around once audiences get a dose of the dullest live-action comic strip on record, one that lacks even an interesting villain.

Name : Mark Rahner / Alias : Seattle Times
Marvel's on a roll.

Name : Ricardo Baca / Alias : Denver Post
A well-crafted introductory course.

Name : J. R. Jones / Alias : Chicago Reader
[A] dull actioner.

Name : David Edelstein / Alias : Slate
Kind of lousy.

Name : Mick LaSalle / Alias : San Francisco Chronicle
One of the biggest misfires in its genre since Godzilla.

Name : Trevor Johnston / Alias : Time Out
Convincing in the physical demands of the role, Affleck persuades us of the pain of sightlessness and supersensitive hearing, although writer/director Johnson's scrappy construction fails him and everyone else as the showdown approaches.

Name : Michael O'Sullivan / Alias : Washington Post
Perfectly satisfactory without being deeply satisfying.

Name : Peter Travers / Alias : Rolling Stone
Daredevil isn't laugh-out -loud lousy, it's something worse: deeply, depressingly average.

Name : Jay Boyar / Alias : Orlando Sentinel
The action almost never stops, which is both Daredevil's biggest asset and its greatest shortcoming.

Name : Todd McCarthy / Alias : Variety
A pretender in the realm of bona fide superheroes.

Name : Richard Roeper / Alias : Ebert & Roeper
Daredevil has electric energy, a wickedly dark sense of humor, some ingenious fight scenes and that high-powered cast.

Name : Wesley Morris / Alias : Boston Globe
Too hollow and pedestrian to dramatize the conflict between its hero's vigilante streak and his moral straits imaginatively.

Name : Bruce Westbrook / Alias : Houston Chronicle
The best Marvel movie to date.

Name : David Ansen / Alias : Newsweek
Torn between moody grandiosity and cartoonish mayhem, Daredevil tries to have it both ways, and succeeds at neither.

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
A collection of false starts interrupted by an awful lot of angst-ridden contemplation, the picture serves up soul-searching gush with scant pulse-pounding rush.

Name : Geoff Pevere / Alias : Toronto Star
Even in February, it feels like the worst movie of the year.

Name : Stephen Hunter / Alias : Washington Post
Daredevil doesn't take a single dare.

Name : Bruce Newman / Alias : San Jose Mercury News
With the appearance in movie theaters of Daredevil, we have now officially arrived at the bottom of the comic-book pile.

Name : Ed Park / Alias : Village Voice
The numerous fight scenes have been filmed in Confuse-o-Rama, a headache-inducing technique that mixes a dozen too many cuts per minute, projectile P.O.V., and intermittent glimpses of the hero's sonar sensorium.

Name : John Powers / Alias : L.A. Weekly
The movie has far less emotional weight than, say, Spider-Man.

Name : Tom Long / Alias : Detroit News
Completely devoid of subtlety or sense, the film is a series of bad scenes connected by empty characters, most of whom seem like leftovers from scripts abandoned long ago.